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Feel free to organize the panels however you like and position them anywhere you want. Panels can be free floating or docked attached to the left, top, or right side of your screen. To work with a panel, select it by clicking its tab. Collapse or expand panels. To collapse a panel horizontally into a button nestled against the side of another panel or the edge of your screen , click the tiny double arrow in its top-right corner click this same button again to expand the panel. Collapsing and expanding panel groups works exactly the same way.
Here you can see the difference between expanded left and collapsed right panels. Double-click the medium gray bar at the top of a panel to collapse it vertically circled on the left , rolling it up like a window shade; double-click the bar again to expand it.
You can also collapse a panel horizontally by clicking the double arrows at the top right of the panel circled, right , at which point it turns into a small square button. Note In Photoshop CS4, you accomplished this panel collapsing and expanding business with a single-click; in CS5, it takes a double-click. Modify panel groups. As mentioned earlier, Photoshop clumps frequently used panels into panel groups. To add a panel to a group, first make sure the panel is open if not, select it from the Windows menu.
Here the Kuler panel is being added to a panel group. When you release your mouse button, the new panel becomes part of the group. To rearrange panels within a group, drag their tabs left or right.
Dock and undock panels. The first time you open Photoshop, it docks three sets of panel groups to the right side of your screen or Application Frame. When you let go of your mouse button, the panel appears where you put it—all by itself. Once you release your mouse button, you can drag the panel group around by clicking the same empty spot in the tab area. To dock the panel or panel group again, drag it back to the right side of your screen.
To undock a panel or panel group, grab a free area to the right of the tabs at the top of the panel and drag it somewhere else on your screen. To dock it again, drag it to the right side of your screen—on top of the other panels. When you see a thin blue line appear where you want the panel or group to land, release your mouse button. You can move vertically collapsed panels in the same way, but you grab them by the row of tiny dots that appears at the top shown here.
When you drag the panel into a group or dockable area, the blue highlight hangs around longer and the panel itself becomes momentarily transparent. Photoshop starts you off with a one-column Tools panel left , but you can collapse it into two columns right by clicking the tiny triangles circled here click it again to switch back to one column. If you want to undock the Tools panel, grab the dotted bar shown here and drag the panel wherever you want it.
These shortcuts are great timesavers because they let you switch between tools without moving your hands off the keyboard. For example, to select the Elliptical Marquee tool, press Shift-M repeatedly until that tool appears in the Tools panel. Tip If you need to switch tools temporarily—for a quick edit—you can use the spring-loaded tools feature.
For an overview of all the tools in this panel, check out Appendix D, online. Foreground and background color chips Photoshop can handle millions of colors, but its tools let you work with only two at a time: Photoshop uses your foreground color when you paint or fill something with color.
In other words, the foreground color is where most of the action is. If you want to change either color, click its color chip once to make Photoshop open the Color Picker Choosing Individual Colors , which lets you select another color for that particular color chip.
To swap your foreground and background colors, click the double-headed arrow just above the two chips or press X. Colors In the upper-right part of your screen is the Color panel, which also displays your current foreground and background color chips.
Instead of being inside a dialog box, it appears to sprout from within your image! Swatches The Swatches panel holds miniature samples of colors, giving you easy access to them for use in painting or colorizing your images. This panel also stores a variety of color libraries like the Pantone Matching System special inks used in professional printing.
Styles Styles are special effects created with a variety of layer styles Layer Styles. Masks This panel lets you create and fine-tune layer masks. Layers The Layers panel is the single most important panel in Photoshop. Layers let you work with your images as if they were a stack of transparencies, so you can create one image from many. By using layers, you can resize, adjust the opacity, and add layer styles to each item independently. Channels are extremely powerful, and you can use them to edit the individual colors in your image, which is helpful in sharpening images, creating selections telling Photoshop which part of an image you want to work with , and so on.
Paths Paths are the outlines you make with the Pen and Shape tools. You can also make them bigger or smaller without losing any quality. Navigator Think of the Navigator panel as a map. You can use this panel to move around in your document and change your zoom level.
Histogram A histogram is a mountainous-looking graph that represents the color and brightness info contained in your image. The left side of the graph shows how much of the image falls into the darkest range of colors shadows , the far right shows the lightest range highlights , and the area in the middle represents colors in between midtones. It changes on the fly to show info that relates to the currently selected tool and gives you a handy tip about using that tool provided you have that option turned on.
You can find out more on pages and The Power of Undo Thankfully, Photoshop is extremely forgiving: Unfortunately, the Undo command lets you undo only the last edit you made. Out of the box, this command lets you undo the last 20 things you did, one at a time. Open the Preferences dialog box.
Look for the History States field in the upper right corner of the Preferences dialog box and then pick the number of Undo steps you want Photoshop to remember. You can enter any number between 1 and 1, While increasing the number of history states might help you sleep better, doing so means Photoshop has to keep track of that many versions of your document, which requires memory and processing power.
If you increase this setting and notice that the program is running like molasses, try lowering it. You can also take snapshots of your image at various points in the editing process to make it easier to jump back to the state you want as explained in a moment.
The History panel keeps track of everything you do to your images, beginning with opening them. You can also take snapshots of your image at crucial points during the editing process like when you convert it to black and white and add a color tint.
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